Showing posts with label tattoo. Show all posts
Showing posts with label tattoo. Show all posts

Friday, October 16, 2015

Tattoos: Telling Stories in the Flesh. Q&A with Lars Krutak

Q: What is the earliest evidence of tattoos?

Krutak: The most ancient evidence of human tattooing is found on the mummified corpse of the 5,300-year-old Neolithic Iceman who was discovered in the Alps in 1991. The Iceman has a total of 61 tattoos—short lines etched in groups on his lower back and ankles, four lines on the torso above the gall bladder, a cross behind his right knee and two rings around his left wrist.
Interestingly, approximately 80 percent of the Iceman’s tattoos overlap with classical acupuncture points used to treat rheumatism, a medical condition that plagued him. Other tattoos were found to be located on or near acupuncture meridians.

Q: Were these early tattoos purely decorative? Did they serve another purpose?

Krutak: A common myth that continues to be perpetuated in popular and academic peer-reviewed publications is that tribal tattoos were ornamental. Some indigenous peoples did receive tattoos to enhance their physical appearance, but this practice was the exception rather than the rule. Most tattoos identified tribal designation, related the social accomplishments of the individuals who wore them or functioned as medicinal therapy or as apotropaic [evil-repelling] symbols. In short, I see body marking as a kind of biographical language.

Q: What are some traditional methods of tattooing practiced around the world?

Krutak: Skin-stitching or needle-and-thread tattooing was a technique used across the Arctic and Native North America. Hand-poking, where the design is poked into the skin with a sharp pigment-tipped needle, was a more common method of tattoo application. Today, hand-poked tattoos continue to be given across Indochina and Japan.
Hand-tapping is perhaps the most ubiquitous traditional technique and indigenous to Oceania, Southeast Asia, and parts of Melanesia (e.g., Papua New Guinea). In some regions of Africa, North America, and Asia, the method of scar tattooing was employed. Here, skin incisions were made with a lancet (obsidian, iron, etc.) and the tattooing pigment was immediately rubbed into the open wounds.
I would also characterize hand-pricking as yet another tattooing technique. Simple needles, usually two in number obtained from cactus or palm-tree spines, were wound together with cotton thread to prick the skin. The small space between the needle tips acted as a reservoir that held the liquid tattoo pigment in place. However, the needles had to be dabbed into the pigment after a few pricks had been made to keep this reservoir full. This technique was employed in the Middle East, Balkans, Amazon and other regions of South America, Northwest Mexico and the American Southwest.
There is a very rare technique that I call “hand-hammering” that might be ancestral to hand-tapping. It is found only in a small region of Northeast India among the Konyak and Wancho Naga. Female technicians fashioned an adze-like tool with a row of bush thorns and basically hammered the needles into the skin.
However, today, the majority of tattoos are created by an electric tattoo machine.

Q: In your latest book Tattoo Traditions of Native North America, you explore the tattoo culture of indigenous tribes of North America. What surprised you in your research?

Krutak: That nearly every culture indigenous to North America practiced some form of tattooing, and in many cases it had a perceived therapeutic value.

Saturday, June 27, 2015

Tuesday, November 25, 2014

The American Origins Of The Not-So-Traditional Celtic Knot Tattoo


What is the most cliched tattoo you can think of? Chinese characters? A tribal armband?

How about a Celtic knot? Those interlocking lines that look like ropes or basket weaving.

Last week I was in Ireland and decided to investigate the roots of this trend.

I spoke with Kevin McNamara at the Dublin Ink tattoo parlor.

"It would be a weird week in the shop if I didn't do at least, like 40," he told me. "That's not a literal number, but yeah, it's nuts."

Without Celtic knots and shamrocks, McNamara said, he would never have learned how to tattoo.

"The first couple months, or first couple years, that was how I made my money," he said.

Now, the Celtic knot is his retirement fund.

He said he can spot Celtic knot customers the minute they walk in the door: young, earnest and almost always American. Other telltale signs: the style of jeans they wear, fanny packs, baseball caps.

"And also they let you know that they're American, you know?" he said. "You don't have to worry about that."

The image of the Celtic knot is thousands of years old. It's carved into ancient stones all over Ireland. But it turns out the Celtic knot tattoo is a bit like the Chinese fortune cookie: American born and bred.

There's actually no evidence of Celtic tattooing, according to Anna Felicity Friedman, a tattoo historian who runs a blog called TattooHistorian. In fact, while people in other parts of the world have been tattooing themselves for thousands of years, the practice only came to Ireland in the last century.

The Celtic knot tattoo seems to have started on the American West Coast in the 1970s and '80s, part of a trend in tattooing called blackwork: big, black geometric designs — much bolder than the old-school mermaid or cobra.

"Blackwork is sort of the more PC term for what used to be called tribal tattoos," Friedman says.

Some of the early designs came from Native American or Aboriginal patterns. The style took off.

Tattoos that mark heritage have always been popular, says Friedman. Combine the trend in blackwork with a desire to mark European heritage, and you have the Celtic knot, which spread across the U.S. and over the ocean to Europe.

It was sort of the "lite rock" radio station of tattoos: pretty, bland and inoffensive. It could work for women or men. It didn't have biker or sailor connotations. And it implied heritage and history.

At Dublin Ink, Irishman Greg Donne is getting a geometric pattern on his right shoulder. On his left shoulder, an intricate Celtic knot has begun to fade.

"Ah, it was the very first one I got. You know, when you're just getting a tattoo and you don't know what to think," he said.

He was 19, he explained with a shrug.

Tattoo artist McNamara has a lot of ink on his body.

So does tattoo historian Friedman.

But their personal tattoo collections do not include a Celtic knot. npr

Sunday, February 2, 2014

Friday, January 3, 2014

maria sibylla merian


Examples of marine life (by 1717) attributed to
 Maria Sibylla Merian (1647–1717)


Sunday, December 29, 2013

mola mola

the ocean sunfish is one of my very favorite animals :)





The bizarre ocean sunfish is the world’s biggest bony fish. The Germans call it “the swimming head,” the Chinese “the toppled car fish,” and taxonomists Mola mola — which, ironically enough for something that floats, is Latin for “millstone.” 
Over the millennia the sunfish lost its tail and grew absolutely immense; today it can reach more than 10 feet in length and 5,000 pounds, thus putting itself beyond threat of all but the mightiest predators.


Tuesday, November 26, 2013